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LETHAL FORCE
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Ecarma’s film is not something you’re supposed to take too seriously in the beginning. As an overall entry, “Lethal Force” strives to be nothing more than trash cinema, and that’s what it is. That’s not a caveat, just more of an endearing quality that works in favor of Ecarma’s ode to the grind house. While Tarantino and Rodriguez are out there making a grind house film on fifty million, people like Ecarma are making actual grind house films on very low budgets. That’s why it’s not hard to laugh at the duo’s failed attempts, however good the experience was. Making a low budget film on a big budget contradicts the actual principle. Ecarma’s film is an entertaining bit of schlock that features almost every bit of cheesy character clichés you can imagine.
When you see an assassin hiding in a mail box, you just know this is not intent on being a stern action picture. And Ecarma knows his cult films, paying homage to many of the great including a shot by shot re-enactment of the opening scenes to “Faster Pussycat, Kill! Kill!” Ecarma’s film is made with the best of intentions. It’s a corny, goofy, and utterly entertaining throwback to a time where grind house trash cinema were made on minuscule budgets and received a lot in return. “Lethal Force” is filled with talent, humor, and surreal entertainment you have to see for yourself. Tarantino should be so clever. Admittedly, it’s an acquired taste but “Lethal Force” is a fun little ode to the trash cinema sub-genre with an excellent series of homage’s, tight direction and choreography, over the top action, and decent performances. Cult fanatics need apply.
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