LETHAL FORCE by Eric Campos (2003-07-20)
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| 2001, Un-rated, 70 Minutes, Divergent
Thinking Productions
"Lethal Force" is a great example of how
you really shouldn't walk out of a film unless you absolutely have
to, like for a life-threatening emergency or something. I was sure
that this film was going to be a piece of garbage when it first
started. It has the look and feel of an old porno movie from the
70's, you know the kind that have stories, except that this one has
all of the hairy sex cut out of it. But dammit, this film just keeps
on better and better as it goes on.
The story is basically this - A gangster asks his friend, a
killer for hire, to help him rescue his son, who's been kidnapped by
a vicious crime lord and his crew, the same people that killed the
gangster's wife. The killer for hire agrees to help his friend, but
finds that instead of a rescue mission, his friend is actually
setting him up in a revenge plot devised by the crime lord. Got all
that? Good.
The idea is basically this - Alright, we're making a low-budget
action film here, that's bound to look cheesy due to our budget
restraints, so let's go all the way and make this one of the
cheesiest films anyone has ever seen.
Well, this may not be one of the cheesiest films ever, but the
cheese factor definitely is one to contend with. Now, what separates
"Lethal Force" from other cheeseball bullshit out there? It's that
these guys knew what they were doing and what they were trying to
make. Not only does the film come off as some cheesy exploitation
flick from the 60's, with the cardboard acting, random violence and
red and blue gelled lighting, but it's jam-packed with blatant
rip-offs, and I mean BLATANT! That's a good part of what
makes this film so great. Other low-budget filmmakers try and blend
their rip-offery with whatever else they're trying to do with their
film, but they're rarely ever fooling anybody. "Lethal Force" wears
its rip-offery on its sleeve and begs for everyone to look. I mean,
there's stuff you'll recognize from "The Shining", "A Better
Tomorrow", "The Killer", "Dr. Strangelove", "Evil Dead 2", "Enter
the Dragon" and I'm sure many more. In this sense, they're more nods
than rip-offs, just like I'm sure some of you have noticed that
someone named Cash Flagg, Jr. starred and produced "Lethal Force"
and yes, the pseudonym is a nod to director Ray Dennis Steckler
("The Thrill Killers", "The Incredibly Strange Creatures Who Stopped
Living and Became Mixed-Up Zombies"), who would credit himself as
Cash Flagg whenever he appeared in a film.
It's not a perfect film, I actually think it would've worked
perfectly as a shorter piece, but still, I seriously can't remember
the last time I started watching a film, grumbling about how I wish
I would just go blind and deaf right then and there, and then end up
cheering on the characters at the end. From what I understand,
"Lethal Force" has been doing the festival rounds, so do yourself a
favor and catch it if you can.
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